This blog has nothing to do with gorillas (though I love 'em)...fellow bloggers have inspired me to share vintage images of Disneyland from my personal collection. But don't be surprised if you see something from a World's Fair, Knott's Berry Farm, or someplace else that is cool!
Here's an interesting angle taken from the Skyway, above Fantasyland and heading toward Tomorrowland. There's Space Mountain (still pretty new at this point), along with the Carousel. From the ground, the Fantasyland buildings look pretty good, but we can see that they are actually just fancy applied façades.
Another Skyway view shows us the 20,000 Leagues Under the Sea ride, drained of water. That's a whole lotta purple! It looks weird at the moment, but I'm sure that once it was gussied up with more coral, plants, and seashells, and then filled the lagoon with water, it was pretty realistic.
And one final Skyway photo is a view down on the Grand Prix Raceway, with around 70 cars not in service on this particular day. Which makes me wonder just how many vehicles were built for WDW's Autopia, in total? And on busy days, did they use almost all of them?
Over the last two decades, Mary Blair's name has become familiar to most Disney fans. And her artwork, with its distinctive styling and amazing use of color, has become extremely popular. I'm sure that Mary would be astonished at how her star has risen. I've heard that even commies are enchanted by her charming work!
Here's a nice detail (taken from the Peoplemover) of one of the two tile murals that could once be seen in Tomorrowland's main corridor. Both of today's photos feature the "south mural". Those darn children are goofing off again, instead of toiling in the mill like they should be. Their tiny hands and fingers are just right for reaching into machinery.
Hello there, Mr. Sunshine! He reminds me a little bit of the smiling clock over at "It's a Small World".
The south mural was covered (and partially destroyed) in 1986; if the Disney powers-that-be had only known how beloved Mary Blair's artwork would become, and how marketable it is now, I wonder if they would have been more reluctant to replace it? I don't recall anyone EVER talking about how much they like the murals that are there now!
For over 100 years, Pasadena's "Tournament of Roses" has been a Southern California tradition. How many folks in the frozen midwest and northeast watched the Rose Parade on TV on January 1st, and decided that it was time to move?
You can't have a Rose Parade without a Queen and her Royal Court, am I right? The photo below (from December 1957) shows the 1958 Queen, Gertrude "Trudy" Wood, walking through the front gate, complete with a bouquet of red roses.
I am enjoying the loud patterns on the little girl to the right! What, no polka dots? I am assuming that the woman to Trudy's left (our right) is a member of the Royal Court.
Here's an official portrait of Trudy, looking lovely. This reminds me of my mother's wedding portrait!
There she is again, surrounded by creepy old men standing who are standing just a little too close. She seems to be taking it all in stride though (it almost looks like she's about to laugh). The man she is looking at is Meredith Wilson, famous for writing the book, lyrics and music for "The Music Man".
Here are a few "leftuggies" (my mom's word for "leftovers") from my recent scans. All I know is that we should point our fingers at them and laugh.
Just think - if you had been standing next to the photographer in this 1958 photo, you could have gone in to the Golden Horseshoe to see a performance with Betty Taylor, Wally Boag, and (at that time) Donald Novis. I wish we could see the sign featuring Slue Foot Sue a little better - "Daveland" has an amazing, clear picture of it... see it HERE. To our left, you can see a bit of the Casa de Fritos.
Now we'll jump ahead 12 years to December, 1970. The old Dance Circle had been updated with shady "amphitheater"-type seating - a real improvement. Kids still get to sit down front for the best view, and they were still invited to come up and join the Indian performers for the grand finale.
Here are two so-so views of Town Square from 1956; they are from a batch of slides that has some pretty neat stuff, but for now I am going to get these lesser images out of the way. 'Cause that's how I roll.
Back in the good old days, my family would walk through one of the tunnels into Town Square, and immediately head up the steps to ride the Disneyland Railroad. I'm not sure I would call it a tradition… it was just what we did! Looking a photos like this, I sometimes try to imagine what it must have been like to see the park for the very first time, without the years of familiarity to deaden our senses.
Looking carefully, you can just see the red Chemical Wagon (pulled by white horses), as well as two Horse-Drawn Streetcars. Horses are hard to draw. Judging from the angle of the sun, this was taken sometime in the afternoon, so the photographer did not make the DLRR his first destination.
Visitors at the 1964 New York World's Fair especially loved to take pictures from the observation tower at the New York State pavilion. At 226 feet high, it provided impressive panoramas of the spectacle below. This means that pictures from this vantage point, while cool, are pretty common. Which is why I am putting a bunch of them in one post.
The New York State pavilion was located on the southern edge of the Fair; in this first shot, we are looking down, and slightly to the north. The Unisphere is just out of frame to our left (at the end of that grassy boulevard); among the pavilions we can see is the spiky-roofed African pavilion; and the pavilions of Sudan, Malaysia, Greece, Pakistan, and Morocco, among others.
Turning slightly to the east, we can see such sights as the shallow dome of General Electric's "Progressland", the red "umbrella" of the Traveller's Insurance building, the giant "egg" of IBM's pavilion, the conical roof of Guinea's pavilion and the wavy roof of "Sermons From Science".
Just for the hell of it, I decided to "photomerge" the previous two photos in Photoshop. The varying perspectives made for some wonkiness, but it still stitched together surprisingly well.
Continuing to turn toward the south east, we can see "Meadow Lake" and some of the Amusement Zone. To the right there is the tower (with the ball on top) for Florida's pavilion. Continuing to our left.... I've always loved the "swayback"roof of the AMF Monorail station. Next to it is the tent of the Continental Circus, and behind it is the massive Amphitheater. To the extreme left you can see "Meadow Lake Bridge" crossing the Long Island Expressway.
Pivoting back to our left a bit, we get a better look at Meadow Lake Bridge. In the lower right is the large "Bourbon Street" area, where you could hear jazz music and eat Louisiana cuisine. At the bottom of the photo is part of the multicolored roof of the New York State pavilion (see how it looks from the ground HERE). To our left we can see some of the buildings from the Belgian Village, and above that is more of the Amusement Zone, including the Aerial Tower Ride.
All of those blue tent-like roofs are part of the New Jersey pavilion. In the upper left, just a sliver of the New York City pavilion can be seen... a remnant from the 1939/40 Fair! The Amphitheater visible in the previous photo is also left over from that great Fair.
You can't have a bunch of photos of the '64 Fair without showing the Unisphere! I've seen a lot of spheres in my day, but none quite as uni as this one. The large square-ish building to its left is the United States pavilion, and just above that, Shea Stadium.
I hope you have enjoyed this panoramic tour of the 1964 New York World's Fair!
If you're gonna build yourself a Disneyland, you have to have a place to put cars. It's just a fact. Early maps of the park say that there are "100 acres of parking". If only everyone drove unicycles to Disneyland, Walt would have had more room for cool attractions.
A strange thing happened... visitors (mostly children, I'm guessing) developed a fondness for this 100 acres of asphalt and automobiles. It represented the first tantalizing steps into Walt's kingdom; there it was, just a few hundred feet away! You could hear the train's bell and whistle, and see the Monorail zooming by - it was very exciting. Speaking of Monorails, today's photos were both taken from the "highway in the sky", circa 1967.
Zooming in a bit, we can see one of the trams in front of the ticket booths, full of guests. If you look to the extreme right and left, we can see folks already leaving the park (the clock on the train station looks like it says 5:00). Why?? You're not going to stay until it gets dark and all the lights come on?
Now we're looking south from the Monorail track that crossed in front of Main Street Station, gazing across the lot that is occupied by Disney California Adventure. There's the old Convention Center, looking like a flying saucer; and a yellow Monorail makes a cameo appearance.
My stash of several hundred vintage Instamatics is dwindling, but the ones that I have left (maybe 40 images) range from what I consider "above average" to "really nice"! Today I am sharing the last of the "good but not great" scans. They all show the Tomorrowland lagoon area.
OK, this one is different. So different that I think it might be flipped backwards. But I'm not sure; even when I looked at it the other way it didn't seem quite right. What do you guys think? Anyway, I still enjoy the view of the lagoon with the intertwining freeway of the Autopia (and that long straightaway running across the water). I also enjoy the smog. *cough* *cough*
This one is divided neatly across the center; sky on top, Disneyland below. I see enough photos like this that it makes me think that old viewfinders must not have been very accurate as to what the lens actually captured. Or this was just "one of those pictures". Whatever the case, it is still a great view of the yellow Monorail, as well as the Peoplemover (possibly still not operational).
If the camera had been pointed any higher, we would have had a perfect blue gradient, and not much else. There are the new square Skyway buckets, rising up to pass through the Matterhorn. Which surprises me because I originally would have thought that this was taken from the Skyway. What else would have provided this elevated angle? The top of the Rocket Jets platform?
I'm still slogging through a batch of slides that are generally dark or just weird. Because of this, you only have to pay half of what you normally do to view them!
SO... this one isn't great, and it isn't bad. It's at least an interesting angle, showing the dock where guests would board the Mark Twain or (in this case) the Columbia. I'm guessing that this photo was taken near the outdoor eating area of "Casa de Fritos" (judging by the strings of colored lights overhead). Out of the thousands of images in my collection, I don't have another one even remotely like this one.
The inky black shadows and the creepy, alien gaze of those two women to our right make this one feel a bit spooky. "Submitted for your approval: meet Wallace Terwillager - a man with a desire to escape the difficulties of modern life. Mysterious events lead him to a small town very much like the one his great grandfather might have frequented; a prosperous town with a nickelodeon, popcorn wagons, and a candy palace. But he soon discovers that things are not what they seem, and that living in the past can have its drawbacks. Wallace has just boarded a horse-drawn streetcar; next stop - the Twilight Zone". Duh duh DUHHHH!
When I first held this slide up to the light, I thought, "Oh man! This one is way too dark". But I scanned it anyway, and now I think it looks pretty neat! The very low sun gleams off of the Mark Twain's pilot house, and the angled light just catches the edges of Cascade Peak and its waterfalls. Very nice! In just minutes the sun will be gone, and the sky will go from pink to violet, and finally to deep indigo, and all of the parks twinkling lights will turn on.
This one is a whole lotta darkness, but was clearly taken at about the same time; the settler's cabin really looks like it is blazing! The dead settler's pink shirt really "pops" in the photo, too.
Here are a few OK pictures… pretty enough I suppose, but nothing to write to Aunt Mabel about. But you should write to her anyway, she's lonely and would love to hear from you.
First up is this view of Tom Sawyer Island. There's Tom's Treehouse - for a very short time it was the highest point in Disneyland (and it was noted on the earliest souvenir maps of the island)! I think the height of the Skyway in 1956 superseded the Treehouse. Near the lower left corner you can just see one of several rushing streams that ran into the river.
I like the grandma and her grandson relaxing out on what I believe is the fishing dock (though no fishing is going on). I wonder if the man and children at the other end are part of the same family, or if they are afraid to confront that tough looking granny on "her" turf!
There's that Mark Twain again; and that duck - he is just waiting. Waiting for human flesh!
Today's pictures aren't super awesome, but they're just going to have to do on a lazy Sunday.
Fearsome wild animals! I hope they don't escape and remove someone's entrails with their pointy teeth. The one on the right has a cigarette, which as we all know, makes him extra cool. Like the Fonz (who didn't smoke)!
"Let's see, I'll try to get a nice picture of those crocodiles. I'm looking through the viewfinder, adjusting the focus, wondering what exposure to use, aaaaaand.... curses! They're gone". This is an unsuccessful photo, and yet I love it because it reminds me of most of my own pictures. I am no Henri Cartier-Bresson.
Today I am happy to share some great vintage photos, provided to us by GDB regular and sometimes-contributor Chuck Hansen. Today's photos feature the 1967 version of the Daffodil Parade as seen in Puyallup, WA (more on that below)! Poor Chuck tried to send these photos to me last week so that they could be posted on the very Saturday that the 2015 Daffodil Parade was happening, but internet gremlins (from the Kremlin) kept fouling things up. So it's a week later than we had hoped, but that doesn't mean that the photos are any less fun or charming.
Chuck has also done a fantastic job of researching and writing about each of the slides, allowing me more time to work on my "Welcome Back Kotter" musical. Let's take a look at these neat pictures from nearly 50 years ago, with Chuck's great descriptions:
The Puyallup Valley Daffodil Festival has its roots in the decimation of the area's hops industry after the implementation of Prohibition. Searching for another crop to replace hops, local farmers followed the Department of Agriculture's recommendation, found the region ideally suited to the cultivation of daffodils, and an industry was born (although there is no truth to the widespread rumor that the talking daffodils in Alice in Wonderland were bred here).
In celebration of a cornerstone of the region's agricultural output, the first Daffodil Festival was held in 1933. The first parade was held the following year and has been held every year since (with the exception of 1943, 1944, and 1945 due to WWII). Currently, the parade consists of more than 180 floats, bands, and marching or mounted units and progresses through the cities of Tacoma, Puyallup, Sumner, and Orting.
My parents moved to Tacoma in late 1965 when my father was transferred to nearby McChord Air Force Base and spent slightly more than three years there. This series of slides documents the 1967 Daffodil Parade from the SE corner of the intersection of Meridian St and Stewart Ave in Puyallup. My parents couldn't remember much about this parade, but I was able to find a few photos with detailed captions online at the Tacoma Public Library's website. Since the library's pictures don't cover every float my parents photographed, I'll do the best I can. Feel free to fill in the details yourself!
"Fun 'n Fantasy" was the theme of the 34th Puyallup Valley Daffodil Festival, featuring 31 floats, 28 bands, 21 drill teams and 8 mounted units. Compare and contrast that with the more than 180 units of today's parade. Please keep your answer to less than 150 words and be sure to write in complete sentences.
The first slide shows a float with the theme of "Flight of Fancy," and let me tell you, it sure looks fancy to me! Here's the Tacoma Library's description: "Swooping on butterfly wings were the four princesses of the Lakewood Summer Festival, Sally Fiss and Chris Hickson of Clover Park High School and Patsy Thompson and Ann Harris of Lakes High." That float is covered in daffodil blooms. Before the parades began back in 1934, the blooms were either thrown away or used as fertilizer since they weren't needed for bulb production.
The next image appears to be couples ballroom dancing. Either that, or the fella at the front of the float is holding that woman hostage. I can just hear Lawrence Welk's orchestra in my mind (of course, that would be there regardless of what was on this slide).
The third photo shows the float sponsored by the Afifi Shrine Temple in Tacoma, Washington. According to their website, the word afifi means "a characteristic of a woman who is virtuous and refrains from anything crude or vulgar," which is kind of unexpected for an organization composed entirely of men. But these men also make parade floats out of pretty flowers, so I'm guessing they don't feel terribly bound by traditional stereotypes. Wearing a fez is liberating like that. Founded in 1888, the Afifi Shrine helps support the $460 million worth of charity care provided in 2014 at 22 Shriners Hospitals for Children across North America.
I'm not entirely sure about the next photo, but I have found references online to an "Afifi Mounted Patrol," so I'm going to guess that these colorfully-dressed fellows aren't actually terribly lost Bedouins. All sorts of neat details are visible along the street - a Western Auto advertising Homelite chainsaws and at least two gas stations. And I hope Melissa's paying attention...
Picture number five features the float "Thailand Fantasy," which, as the text indicates, was a salute to the US Seabees, who were celebrating their 25th year in 1967 With a history going back to WWII, the Seabees are the US Navy's construction forces, taking their name from the abbreviation for "Construction Battalions," and were well-represented at nearby Bremerton Naval Station. From the Tacoma Library: "the 60-foot moving scroll on the 55-foot float depicts the aid being given by the Seabees to the people of Thailand. Winner of the President's Trophy, the Seabees float had previously won the Grand Marshal's Award in the Pasadena Tournament of Roses Parade." I've never heard of a two-time winning float before. I wonder... is there some sort of "Triple Crown" for flower floats?
Our next photo shows the "Royal Fantasy" float, sponsored by the Tacoma Vocational-Technical Institute, and featuring several characters that should be familiar to regular readers of this blog. Snow White was re-released in June of 1967, and that fact was what helped me find corroborating information at the library dating these unmarked slides to 1967.
I'm not entirely sure what this next entrant is supposed to be. Fairy godmother? Glinda, the Good Witch of the North (or South, if you're reading the book)? A dream of a rarebit fiend? I honestly don't know. In the background, however, I do recognize a couple of familiar objects floating above the crowd.
The final slide I'll share today (I have a few more, but this is already far longer than it should be) features the 1967 Daffodil Festival Queen, Miss Carol Parcheta, then all of 17 years old and a student at Franklin Pierce High School in Tacoma. According to the Tacoma Library, Miss Parcheta went on to continue her education at Puget Sound University in Tacoma, and seems to have subsequently disappeared from the Interwebs. I'm going to theorize she went on to work for U.N.C.L.E. with Napoleon Solo and Ilya Kuryakin. It seems to be the most logical next career step.
MANY THANKS to Chuck Hansen for taking the time to scan his parent's slides, and for the even more laborious research that he did in order to provide the descriptions for this slice of 1967 Americana. He makes me look lazy by comparison, but I guess I can forgive him!
Hi ho, hi ho, it's back to Walt Disney World we go.
In my last WDW post, we saw the stern end of the Richard Irvine steamboat. Now we get to see it from the fronty bit (as sailors call it). Isn't it pretty? If you look carefully, you can see just a bit of the other WDW steamboat, the Admiral Joe Fowler, which was scrapped in 1980. Even as I type that sentence, the idea that it was scrapped shocks me.
Now we're in the middle of Fantasyland, and are amidst timber framed façades and tournament tents. There's Cinderella's Golden Carousel (beneath the white tent), and "It's a Small World" to our left, with the Skyway overhead. Is there anything else notable about this photo that I should know about?
I like flowers just fine, but never feel the need to take pictures of them! This patch of color is a little more informal and wild-looking than what I usually think of when it comes to Disney flowers.
Stay tuned for more Magic Kingdom images from 1975!
I always love a good look at the wonderful Tomorrowland Stage, with its colorful plastic panels and whimsical mid-century "space age" graphic shapes. I think that this is the back of the stage - "Sunshine Balloon" would rock out on the opposite side. Coke still managed to squeeze in a logo, though (one of three visible)!
As is often the case these days, I get almost as much of a kick out of the guests (and their clothing) as I do from the attractions. Brighter colors and patterns are evident, especially on women's clothing. The "Summer of Love" had occurred just a year before, so hippies and psychedelia were on the rise, though things still look mostly pretty conservative here. Oh, and there's "It's a Small World" in the distance, as if you didn't know!
Today I am presenting a SUPER MEGA-POST, featuring photos from the wonderful California State Railroad Museum in Sacramento! We have previously "visited" this museum months ago, thanks to Ken Martinez. All of the photos and descriptions were provided by GDB reader Alex Blasingame, and wow, did he do an amazing job! I asked him for a "few notes" about the pictures, and he wrote an extensive commentary that is considerably better than anything I would have done. I admit it. Be sure to check out Alex's web page, MouseMonthly.com!
Alright, let's get started - again, all this detailed info is courtesy of Alex. He says:
These are some images from the California State Railroad Museum in Old Sacrament. Built from an old train roundhouse, the museum has an amazing assortment of locomotives, train cars, models, and other exhibits. If you love taking the Grand Circle Tour on the Disneyland Railroad (DLRR), this place will definitely be worth your time.
North Pacific Coast Railroad No. 12 Sonoma (the following two photos)
The Sonoma was built by the Baldwin Locomotive Works of Philadelphia in 1876. Here are some basic stats:
Stack Design: Diamond
Track Gauge: Narrow, 3ft. (36")
Wheel Arrangement: 4-4-0
This engine should look familiar to the average Disneyland Railroad fan. It's really the direct older sister to the CK Holliday, which was built by WED in 1954 and one of the first locomotives to ride around Disneyland. Both engines have the same 4-4-0 wheel arrangement with a characteristic diamond smokestack and filigreed square-shaped headlamp.
For reference, 4-4-0 means the engine has 4 leading wheels, 4 drive wheels, and no trailing wheels. I've included a reference picture (below) of another 4-4-0 engine, the EP Ripley.
All of the locomotives on the Disneyland Railroad (other than the CK Holliday and the EP Ripley) were built by the Baldwin company after the Sonoma. Looking at this locomotive, you can see the design influences of this predecessor in these later engines.
This is a picture of a cupola caboose from Ward Kimball's Grizzly Flats Railroad, his personal backyard railroad complete with his own steam locomotives. He sold it to the California State Railroad Museum in 1979.
Atchinson, Topeka & Santa Fe No. 347C GM-EMD 1949 F-7A
This diesel-electric Santa Fe locomotive was probably still in service when Disneyland opened in 1955, the latest in engine technology at the time. It was donated to the museum in 1986, 12 years after Santa Fe discontinued their sponsorship of the Disneyland Railroad. Remember those Santa Fe signs that used to be on every DLRR, Viewliner, and Monorail station?
If you had a model railroad as a kid, you'll probably recognize the Super Chief war bonnet colors to which it was restored upon exhibition.
Image 9340 (below) has me (Alex Blasingame), my Dad (Kevin Blasingame), and my sleeping infant son (Jack Blasingame). It was a "guy's day out" kind of trip.
Lionel Train Exhibit
Speaking of models, upstairs at the California State Train Museum they have a gigantic Lionel train exhibit, complete with moutnains, tunnels, cities, and airplanes. And also model trains.
I knew about Walt Disney's personal love of trains, but what I didn't know what how a simple Mickey/Minnie handcar saved the Lionel Corporation from total collapse during the Great Depression. I also didn't know that Walt set up an entire Lionel train set in his office at Disney Studios before he built the Carolwood Pacific at home. There's a great article by the Walt Disney Family Museum about Disney's relationship with Lionel.
If you visit the museum in Sacramento, make sure to stop by the model train exhibit upstairs. You'll feel like a kid again.
Check out these two videos of the Lionel layout, courtesy of Alex!
Central Pacific Railroad No. 1 Gov.Stanford
The Gov. Stanford locomotive is named for Leland Stanford, former Governor of California and namesake of Stanford University. I didn't think this train had any connection to Disney, but after some digging, I found that I was wrong.
In fact, this is the engine taking on water at the same dingy depot where we meet the Tramp for the first time in "Lady and the Tramp". I'm not sure if Disney artists sketched the engine from a picture or made a trip to see the locomotive itself, but that's definitely it in the movie. One more piece of Disney ephemera in your pocket.
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I included these pictures because they're pretty and seem to convey something Disney to me. I'll play a little "Kevin Bacon game" with each of them and relate each back to Disney.
Image 9344 (below) is a label for Sunkist Marvel brand oranges. The word Marvel immediately made me think about Marvel comics, which Disney now owns. Digging deeper, we can see an orange on the label. Disneyland was built from a bunch of orange groves. Deeper still, the Sunkist brand has long connections to Disneyland, wit the Sunkist Citrus House on Main Street, USA (now Gibson Girl's Ice Cream Parlor) and Sunkist, I Presume in Adventureland (now Bengal Barbecue).
Image 9356 (below) is a propaganda poster from 1885, convincing people to move to California and stake their claim. It immediately reminds me of the background story for Disney California Adventure's new-ish Buena Vista Street, where a young Walt Disney travels to CA in 1923 to make it big. The colors, artwork, and message also remind me of the Carousel of Progress.
"There's a Great, Big, Beautiful Tomorrow out there, and it starts in California!"
(The next image) is a stained glass sign for the Southern Pacific Railroad. It's gigantic and beautiful in person. The sign reminds me of the dainty sophistication found in the very Victorian Plaza Inn. Nowadays, we'd have a gaudy, flashing billboard instead of t his gorgeous, handcrafted piece of art.
Alex included these next two photos with no notes, so I did a little bit of research so I could include them. If there are errors, it's my fault and not Alex's!
Southern Pacific 2467
This massive engine is one of 15 heavy 4-6-2 Pacific-type steam locomotives built by Baldwin Locomotive Works in 1921. 2467 was retired from service in 1958. It belongs to the Pacific Locomotive Association, and is on loan to the California State Railroad Museum in Sacramento. Out of these Pacific-type locomotives, two others survive - all are in California.
Virginia and Truckee Railroad No. 13 Empire
The Empire entered service in 1873 and hauled freight for many years. At some point its number was changed to 15 because engine crews thought that 13 was unlucky! It was retired in 1918, and after years of neglect and changing ownership, it was moved to the California State Railroad Museum in 1976, where it has been beautifully restored. In this photo we get a good look at the tender, which carries fuel and water for the locomotive.
Alex sums things up by saying: I guess that's part of what attracts me to most things at both the California Railroad Museum and Disneyland; they're both handcrafted pieces of art. Each locomotive, at either location, was built intentionally and by hand; each piece thought out, forged, and implemented. Where function allows, the trains are adorned with paint applied with an almost loving hand. It reminds me of Mary Blair or Mac Davis bringing inanimate objects to life with finely shaped curves and colors.
I couldn't have said it better myself! MANY THANKS to Alex Blasingame for sharing these wonderful photos and so much awesome information from the California State Railroad Museum in Sacramento. And once again, please check out his site, MouseMonthly.com!
