More Disneyland Hotel, 1980

Let's check out four more 1980 views from the grounds of the Disneyland Hotel, taken by Lou Perry, and scanned by his daughter, Sue B! I don't think too many people would have taken photos of these features, but Lou did! He was ahead of the curve. As I've said before, my knowledge of the Hotel is limited, so if you (yes, YOU) have anything of interest to share, please do!

The California Wine Cellar sounds like a classy place to relax after a day at the park. I would feel very comfortable showing off my expertise. Here's a tip: just say that you detect "subtle undertones of dried cherries, some vegetal notes, and with some hints of Mountain Dew Baja Blast", and the sommelier say, "VERY good, sir". He knows he'll never be as cool as you.

Sea Port of the Pacific, judging by the sign to the left, this was another restaurant, and not a shop full of imported goods, which would have been my first guess. You know, knickknacks made with seashells and coconuts, hats woven from palm leaves, Aloha shirts, that sort of thing. November must have truly been the off season in 1980, somehow Lou managed to avoid any other people. THE DREAM.

Well. Here's a view from the other side of the Seaports of the Pacific, and it doesn't look like much of a restaurant. Maybe it was a place where nerds could play D&D? "I'm an orc with digestion issues!". "I'm a sleepwalking wizard!". "I'm an annoying elf!". Some fun.

As you can see, Lou set the timer on his camera, and tossed it up into the air. He knew how to toss it just so, and look at the picture he got! I threw my camera up into the air once, and a seagull took it. We're looking down upon the California Wine Cellar, which happens to have a British phone booth - a relic of the Wrather's ties to the Queen Mary? 

THANK YOU, Lou and Sue, stay tuned for more from this series!

Snoozles, April 1973

After a few days of frantic scanning (accompanied by the music from the opening credits of "Psycho") I was a bit perturbed to find so many Snoozles™ in the mix. As a rule, many tended to be too dark for some reason. I have enough Snoozles to satisfy the nation's demand for several months (let's try to find that silver lining)!

Here's a perfect example. Who wouldn't want a cute photo of Pooh-bear in the plaza in front of the park? He's everybody's pal! But seeing him lurking in the shadows, shrouded in semi-darkness, he looks a little scary. At first I thought that he had a knife in his right hand. Behind him is a souvenir stand full of wondrous treasures, but we can't really tell what's what.

Mickey Mouse avoids the direct sunshine, indicating that he is probably a "daywalker" - a vampire who can go to the dry cleaners and 7-11, as long as he steers clear of direct sunlight. Right after this photo was taken, his hand slipped out of the shadows, and there was a distinct sizzling sound, and the aroma of fried mouse. But he carried on like a trouper! At first I thought he was in front of the Bank of America, but that round window to the right can only be in front of the Hills Bros. Coffee House.

Salt Lake City, Utah

I happened to have two vintage slides that are from Salt Lake City. So I have a theme!

First up is this great 1940 shot of the Mormon Temple in SLC. Strangely, this single Utah image was mixed in with some previously-shared photos from Allentown, Pennsylvania. It's not like PA and UT are right next to each other, but slides have a way of getting mixed up. Anyway, the temple is fairly easy to identify, so there was not much confusion on my part (for a change). I love this 85 year-old view!

Using Google Maps' Street View, I grabbed this relatively contemporary view as seen from Main Street (at the corner of South Temple Street. Wondering about the construction (other views show the temple completely encased in scaffolding, I discovered that the temple was closed in December 2019 for a general remodeling and seismic renovations, which were initially estimated to take approximately four years. That's a statue of Brigham Young to the right.

Next is this interesting 1969 photo of the Matterhorn after a weight loss regimen. It turns out that this is an image from the International Peace Gardens - something I'd never heard of. The garden was conceived in 1939 and dedicated in 1952. (It) is under the direction of the Salt Lake Council of Women Past Presidents Council. Each participating Utah-based nation group is allotted a plot in which to create a garden with native plantings, garden architecture, and statues of world peace leaders typical of its homeland and culture. The Peace Gardens currently represents the cultural diversity of 28 nations. 

Roy Williams, January 1960

I have a pair of extra-fun scans for you today - both featuring Roy Williams, aka "The Big Mooseketeer", drawing Disney characters and signing autographs for children in Frontierland. Roy was hired by Walt in 1930, and was not only an artist but a prolific "gag man". Director Jack Kinney, a friend of Roy's, described him as a "big fat balding hot-headed unpredictable bastard", but hugely admired his prolific talent, saying that he could "sit down and grunt out a few pounds of gags as if it were nothing". 

Roy gained a certain level of fame once he became a part of the Mickey Mouse Club TV show, which had ended its four-year run in 1958, but I believe the show was still being shown in syndication in 1960. Former Mouseketeer Lonnie Burr called Williams "a warm guy, who liked kids, always had time for kids, and always helped us any way he could."

I've had opportunities to acquire some of Roy's sketches/autographs, but somehow never bit. So I scrounged two examples from the Internet, these are typical of what he produced. I assume he would ask each child who their favorite character was, and probably knocked one of these out in a matter of seconds.

Eeyore & Pooh, August 1981

We all like to dress up like giant fuzzy cartoon characters (for "reasons"), but other people - the smart people - get paid to do it! I don't know if Disneyland was the first amusement park to have walk-around characters to meet and hug - probably not. But the Disney characters are iconic and beloved.

Who doesn't love Eeyore? Autocorrect wants to call him "eyesore", but he's not that bad. The tack holding his tail in has always been a source of unease for me, but maybe it helps me understand Eyesore's mournful demeanor. I think that kids have a natural desire to let Eyesore know that they love him. 

And then there's Pooh! He doesn't have any emotional issues, in fact he's generally pretty cheerful, especially when wearing a jar of hunny on his head (wouldn't you be?). I believe that the 1980s were the beginning of "peak Pooh", when the bear's popularity grew and grew, until some people worried that he had eclipsed Mickey Mouse himself. 

Or was this photo supposed to feature the lady with the mint-green pants?

 

Frontierland at Dusk, June 1962

After a day of stomping around Disneyland beneath the bright sun, one can feel a real change in atmosphere when evening approaches. There's no more squinting, no more feeling the urge to sit on a hot rock (this is for the lizards who read GDB), and generally feeling more relaxed. Both of today's photos were taken during the last hour (or so) of daylight.

A mother and daughter hold hands as they head toward the queue structure for the Columbia sailing ship (or the Mark Twain). "I want to see the shiny boy on the canoe!", the girl laughs. "I like the burning settler's cabin!", says the mother (who might be a budding arsonist). There is truly something for everyone. Editor's note: I just happen to be wearing pink pants today. HARD FACTS.

After a brief wait in line, guests would find themselves standing at the edge of the load dock, and this is the view you might expect to see. It's very pretty! We can see the distinctive oval sign of the French Market across the water, as well as the tops of some of the buildings in New Orleans Square. I like the fact that some of the lamps are lit. Some of the magnolia trees appear to be full of large white blossoms (magnolias were my grandmother's favorite tree). I also like the way shirts that are yellow or red seem to "pop" especially. 

 

Stuff From the Box

As I mentioned in my last "Stuff From the Box" blog post, the only items left in the current box are rings. But today's ring is a beaut! 

First of all, let's take a look at this great cover to The Shadow Magazine, from 1936. The Shadow debuted on July 31, 1930, as the mysterious narrator of the radio program Detective Story Hour, which was developed to boost sales of Street & Smith's monthly pulp Detective Story Magazine, while the first issue of the pulp series The Shadow Magazine went on sale April 1, 1931. 

On September 26, 1937, The Shadow, a new radio drama based on the character as created by Gibson for the pulp magazine, premiered with the story "The Death House Rescue", in which The Shadow was characterized as having "the hypnotic power to cloud men's minds so they cannot see him". In the magazine stories, The Shadow did not become literally invisible. The introductory line from the radio adaptation of The Shadow – "Who knows what evil lurks in the hearts of men? The Shadow knows!"

In 1941, Blue Coal Dealers of America offered a neat premium ring, this plastic beauty with a piece of simulated blue coal where one might expect a cursed emerald or ruby.

You need to see it from every angle, right? Notice that The Shadow himself appears in high-relief on the sides of the ring - due to the cream-colored plastic, the details are hard to discern, but the brim of his hat is obvious.

In the print adventures, The Shadow is Kent Allard. The Shadow's best known alter ego is Lamont Cranston, a "wealthy young man-about-town" - there are definite parallels to Batman. 

The Shadow is more than happy to use a pistol, as you saw in that magazine cover. Get those bad guys! 

And oh yeah, the ring glows in the dark. My favorite thing! These rings are not common, but you can probably find one if you are willing to put in a little time. They can run up to (and over) $200, believe it or not.

Here's a neat blotter advertisement for The Shadow's radio adventures, brought to you by Blue Coal Dealers of America.

The next ring is much less fancy, but still fun - a plastic Tastykake ring, featuring the likeness (highlighted in gold!) of the Tastykake Baker. Tastykake was founded in 1914 in Philadelphia - I remember having their snack cakes when I lived in Pennsylvania - though in my memory is that some of them tasted weird to me. I was probably just used to Hostess and Dolly Madison products.

Knott's Berry Farm Burritos, September 1962

Here's a pair of September 1962 slides from Knott's Berry Farm, featuring some burritos - aka "little burros". A little salsa and guacamole and you have a feast! For the eyes I mean, I'm not a monster.

It must have been quite a thrill for children to ride on the back of an actual burro - as I've said before, it seems likely that some of them had never seen a live equine of any sort before. And these burros are so gentle and patient - I assume that they were very well-cared for, just like the Disneyland critters were. 

It's fun the way the burro "convoy" passed right through Calico Square, with the magnificent natural-rock formations of the Calico Mine Train looming over all. Considering how often I visited Knott's when I was a kid, I regret never experiencing a ride on a burro through the park!
 

Snoozles™, September 1964

I often can't tell is a slide is a bona-fide Snoozle™ until I've scanned the thing, and that was definitely the case with this first example. Holding the slide up to my light table, I was happy to see a photo of the blue Mark II Monorail about to pull into the station at the Disneyland Hotel. Cool! Only it wasn't cool, because it's blurry. I was disappointed, but we must persevere. I guess. You know what else isn't cool? Playing hooky and sassing your teachers.

You'd think I would be sick of pictures of the Burning Settler's Cabin, but for some reason I always enjoy seeing it. Maybe because it has been gone for so long? This one is in focus (though it could be sharper), and I do like the fact that the cabin itself is engulfed in flames, but the image was dark and murky, even after some Photoshoppin'. 

New York World's Fair, October 1964

We haven't visited the New York World's Fair since the middle of June. It's time to go back! All of today's examples are from October of 1964; the 1964 season ran from April 22nd to October 18th, so it wouldn't be long until the Fair closed for six months, to reopen in April of '65. It looks like it was a beautiful Autumn day, with blue skies and bright sunshine, but everyone's bundled up to some degree.

First up is this look across the Pool of Industry toward the red "umbrella" of the Traveler's Insurance pavilion. The boxy building nearer to us is the Hall of Education. Education?? You mean like school? No thank you. I don't recall talking about the Traveler's Insurance pavilion in detail before (though perhaps I have): In this pavilion, which seems to float on jets of water, the two-and-a-half-billion-year story of life on earth is portrayed, beginning with the earliest cell and culminating in modern man's leap into space. Under the red dome that symbolizes the Travelers umbrella of protection, 13 dioramas use life-sized models, stage sets and sound and lighting effects to re-create the most crucial eras and events of the exhibit's theme, "The Triumph of Man."

A group of children (on a class field trip?) sit on a bench next to the Du Pont pavilion, perhaps they'd just watched the "Wonderful World of Chemistry" musical revue inside (which was performed in two theaters with two casts). After the show, to demonstrate the extraordinary properties of man-made materials, a performer holds a piece of red-hot metal wrapped in a thin chemical film, dips a piece of plain cloth into dye and pulls it out striped, and throws paint on a synthetic fabric without staining it. The giant egg-shaped IBM pavilion is in the background.

Guests are suitably impressed by the ornate Thailand pavilion: The main building, patterned after an ancient Buddhist shrine, has a gilded, tiered and spired roof rising nearly 80 feet. The building was inspired by a shrine north of Bangkok where a sacred footprint of the Buddha is preserved. The ornate roof was built in Thailand, shipped to the U.S. piece by piece and assembled on the fairgrounds. In this building and an adjoining wing, exhibits reflect the arts, crafts and traditions of ancient Siam and modern-day Thailand. The blue banner in the upper left is from the Oklahoma pavilion. OK!

And finally, here's a familiar building, the New York State pavilion, though it's nice to see it as the sun sets and some of the lights have come on. It must have looked pretty stunning at night! Let us revisit some information: Looming over the New York State pavilion are three observation towers, one of which is the tallest structure at the Fair (226 feet). Beneath the towers is the Tent of Tomorrow, the world's biggest suspension roof (it is larger than a football field), supported by sixteen 100-foot concrete columns. Translucent colored panels in the roof flood the interior of the tent with colors. On the main floor, Texaco Oil Company has made a mammoth map of the state in terrazzo.

I have a bunch of additional slides from this Fair, including construction and destruction views, but I need to get scanning!